Wonder Tales – Not Just Fairies


Hi everyone, your editor Marguerite here.

This weekend has been the International Conference on the Fantastic in the Arts. I’ve been following along as various members of my Twitter stream were in attendance.

One of the presentations that caught my attention was the history of the term ‘Fairy Tale’ and its use as an umbrella term for wonder and the supernatural in fiction. Neither concept is unique to Western Europe and the speaker, Cristina Bacchilega, posits that a shift away from using the label generically might help linguistically decolonize non-European based narratives.

I support this idea wholeheartedly: a small linguistic shift in support of greater diversity. In an effort to put Cristina’s theory to the test I’ve revised our submission guidelines to explain our use of this distinction. The relevant section is set out below.

Special thanks to Julia Rios for her livetweeting of Bacchilega’s presentation, and Julia for answering my follow-up questions.


Fairy Tales? Wondertales? Huh?

We use the word “wondertales” as the generic description of speculative fiction stories based on classic and/or historical cultural narratives. Synomyms include fairy tales, folklore and mythology – all academic terms with their own meanings, origins, distinctions and historical connotations.

This is to help distinguish wondertales as a whole from the subset of stories based on Western European ancestry, which we assign the label “fairy tales”. Good examples include Hans Christian Andersen stories, or older Disney movies.

Fairy tales are popular as a genre of young adult fiction to the point where they cross the line into tropes. We receive a lot of them. Unless a story succinctly retells one of these narratives in a new and unique way, we generally decline. A good example of one we liked was “Piper” by Ian Rose – a flash piece retelling ‘The Pied Piper’ from one of the rat’s point of view.

Wondertales, on the the other hand, are under-represented in short fiction and we’d love to receive more of them. For an example of one we liked check out “The Dun Horse” by Edward Ahern – the retelling of a Pawnee legend.

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Cast of Wonders 201: Miss Darcy’s First Intergalactic Ballet Class


Miss Darcy’s First Intergalactic Ballet Class

by Dantzel Cherry

Darcy walked up to the gilded starship door and it dissolved, revealing what had to be the gaudiest room in the galaxy. Gold, silver, bronze, and minerals that probably didn’t even exist on Earth covered the high ceiling and walls in panels, interlaced throughout with precious stones – and was that tinsel? – depicting who-knows-what. The effect was much like a wild animal had eaten all the jewelry at Tiffany’s and then vomited all over the walls.

Clearly the ability to travel through all the worlds in the galaxy and kidnap a fifty-two year old ballet teacher didn’t grant good taste in interior design.

The blue blob Overlord guard accompanying her spoke, its voice wobbling with each syllable, and Darcy jumped as a split second later her newly installed gray earslugs wriggled and translated:

“Behold, your students.”

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Cast of Wonders 200: Running on Two Legs


Running on Two Legs

by Eugie Foster

My mother used to tell stories of how I talked to animals when I was a little girl. And then she’d laugh when she described how indignant I got because no one believed they talked back.

I don’t remember much of that period of my life. There were a lot of hospitals—white rooms, other pale children next to me, all of us with clear IV tubes taped to our parchment paper skin—and doctors, smiling men with haunted eyes that they tried so hard to keep us from seeing. That’s mostly what I remember.

And then came the miraculous words “in remission.”  I remember those, and the tears on my mother’s face when the doctor said them, for once without the not-quite-hidden anguish in his eyes. Everything was better after that. After those words I remember summer days spent grubby and exhausted in the old abandoned shack behind our house. No longer did I keep company with hospital wraiths, but rather with neighborhood kids who had experienced no greater hurt than a scraped knee or a bruised shin; kids who’d never had to listen to their parents sob just outside their door, thinking you couldn’t hear them; and kids who had no memory of being so sick that even the feel of a blanket was unbearable agony.

I think I stopped talking to animals then. Or maybe I just had better things to do than listen to the birds chattering at my window or the squirrels quarrelling in the tree outside.

But I heard them again today.

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Cast of Wonders 199: Leapling

Show Notes

Theme music is “Appeal to Heavens” by Alexye Nov, available at MusicAlley.com.


Leapling

by Nicole Feldringer

My brother, Jack, parks his beater at the beach lot. Beyond the windshield, dune grass blocks my view of the Gulf, and I shift in my seat. My thighs and shoulders are slick with sweat against the cracked vinyl. Jack turns off the car and sets the e-brake.

“You going to go to this thing or not?” His voice is gentle. If I asked, he would turn the car around and take me home. No, not home. To our new house, still scattered with unopened boxes on account of Mom’s insane hours at the Department of Transportation.

“I’m going.” I feel like I am standing on the verge of a back dive, a clear blue pool beneath me. The board, rough against my toes as I test the weight in my heels. “Any tips?”

“Be yourself?”

“Ha.” 

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Cast of Wonders 198: The Authorized Biography (Part 2)

Show Notes

Show Notes

This week we present the conclusion of The Authorized Biography by Michael G. Ryan, narrated by Brian Rollins.

Theme music is “Appeal to Heavens” by Alexye Nov, available at MusicAlley.com.

 


The Authorized Biography (Part 2)

By Michael G. Ryan

“My mom,” Betsy had written, “met Eugene Versace—no relation, it turns out—when she took our old dog Gator in to be put to sleep. Dad didn’t go that day. I was still in the hospital recovering from surgery, and at the age of four Jasper certainly could not have understood why our sixteen-year-old dog could not go on forever. So, Dad stayed with him at the house and kissed Gator goodbye in the driveway. So, Mom was alone with her grief when she met the veterinarian who would comfort her and then break up my parents’ marriage.”

“Fuck!” Toonby shouted, slamming the book closed. His eyes watered.

“Gator?” he called in a gentle voice. “Come here, boy.”

He could hear the golden retriever’s toenails on the hardwood floor in the hallway, and for the first time he imagined he could hear old age and world-weariness in that familiar sound. Gator poked his head around the corner, tongue wagging tiredly, and came to Toonby, pushing his head into Toonby’s open palm. Then he lay down at his feet as if the moment of affection were all he could endure. Toonby reached down, and the dog raised his head slowly into the touch. They stayed that way for some time.

“With a name like Eugene, he shouldn’t even be able to talk to a woman,” Toonby finally said, “let alone steal mine. For crying out loud, the man has his hands up cats’ asses all day long.”

Gator lowered his head again as if embarrassed at the thought.
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Cast of Wonders 197: The Authorized Biography (Part 1)

Show Notes

Galen Dara’s amazing print for Artemis Rising is available on Society6.


Theme music is “Appeal to Heavens” by Alexye Nov, available at MusicAlley.com.


The Authorized Biography

by Michael G. Ryan

In the beginning, Tim Toonby was bewildered to find his biography. Bewildered and ultimately alarmed.

It appeared Saturday morning on his front porch in an unadorned metal box, the fireproof kind meant for legal documents. No key. Tim Toonby had just stepped outside to leave the full diaper pail liner for the service, and in the age of letter bombs, he hesitated when he saw the box on the steps. He looked around as if the deliverer would still be nearby, waiting for the detonation, but the neighborhood was typically quiet—prefabricated homes with lawns of sod, flower boxes along porch railings, stone lions at the end of driveways as affectations of the neighbors’ aspirations. Toonby had them, too. It was a street for dreamers, not killers.

When he picked up the box, the lid wasn’t latched—it fell open, and he was suddenly looking down at his own face on the cover of a book inside. His own face, thirty years older, hair gone to gray, the crow’s feet at his eyes deep and sad. The black-and-white photo looked posed in a cheap hotel room where the nightstand’s drawer was pulled open enough to reveal a book, a Gideon’s Bible. But when Tim Toonby squinted at the picture, he could see that wasn’t right. He could just make out the text on the cover: Barnabas’s Bible by Timothy Toonby.

This was the book he had started writing six months ago. His first book, his hope for the great American novel, his dream of fame and fortune. The one his agent said would make him a household name.

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Writers, Start Your Engines: Submission Call Alert


September 25 through October 1st is Banned Book Week, an annual event celebrating the freedom to read and raising awareness of the immense social value of free and open access to information. We’ve run special episodes spotlighting the event in the past, such as Alex Shvartsman’s The Things We Leave Behind.

To celebrate, later this year (tentatively scheduled for April/May), Cast of Wonders will hold a specific submission call for new YA stories focusing on themes of overcoming censorship, access to information and the transformative power of literature in all its forms.

Full details will be availaible before the submission window opens and will include:

  • Two week submission window to be announced in April or May 2016
  • New stories only
  • Open to both flash and short fiction
  • Our regular pay rates ($0.06/word), submission guidelines and contractual terms will apply
  • We plan to purchase up to seven stories to showcase the week

We hope this inspires you, and we can’t wait to see your stories!

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Cast of Wonders 196: She Sleeps Beneath the Sea

Show Notes

Shveta’s inspirational image, La Dormeuse, by Alain Lacki.


Theme music is “Appeal to Heavens” by Alexye Nov, available at MusicAlley.com.


She Sleeps Beneath the Sea

by Shveta Thakrar

She sleeps beneath the sea. Shh, shh, plish, splash. The susurration brushes past her unresponsive ears as the surf tucks itself below her chin, a sleek coverlet of warm salt water in shades of blue and green and bordered with seed pearls of foam. Reclining on her side, her dark tresses matted against the damp sand and one brown hand supporting her head, she hints at secrets in the mysterious tongue of slumber: a slight gasp here, a soft sigh there.

When she dreams, she finds herself in a world of glass. It is aquamarine, it is teal, it is turquoise and balmy and wet, and it is the sea, oh, the blessed, blessed sea. It is home, her home.

As she looks around, she begins to wonder. It is like this every time, this bubble world beneath the sea that has somehow become glass and mountains and castles. Everything cut from jewels, everything radiant in the sunlight spilling from above.

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Cast of Wonders 195: The Tale of the White Tiger (Staff Pick 2015)

Show Notes

Every year in January, Cast of Wonders takes the month off to recharge our batteries, plan the year ahead, and highlight some of our favourite episodes. As part of joining the Escape Artists family, this year we’re pulling out all the stops. We’re running 10 staff pick episodes over the month, each one hosted by a different member of the Cast of Wonders crew.

We hope you enjoy editor and host Marguerite Kenner’s favorite story from 2015, The Tale of the White Tiger by Donald Jacob Uitvlugt and narrated by Tracey Yuen. The story originally aired July 5, 2015 as Cast of Wonders 168.


Theme music is “Appeal to Heavens” by Alexye Nov, available at MusicAlley.com.


The Tale of the White Tiger

by Donald Jacob Uitvlugt

Blind Li Xiao surveyed the marketplace. The sensor net embedded in his storyteller’s robes fed signals directly to his brain. The citizenship transponders exactly matched the number of heat signatures. A world firmly loyal to the Empire, then. Or one too afraid to act otherwise.

A passive scan showed at least two peacekeepers in the market. Probably more secret police. He would have to be careful in his story selection. Something from one of the official chronicles. Something he could use for his own purposes.

He beat his staff on the ground three times. The bells at the head chimed out their message. Be still and hearken. Blind Li Xiao is about to begin his tale. He chanted the introductory poem in his clear, high voice:

“When wicked ministers subvert the good,

“The Systems lose the beautiful and true.

“On Heaven’s River vast, White Tiger sails,

“Her course set by the pirate Madam Hu.”

An audience gathered in front of Blind Li Xiao. Children pressed close, their grandparents behind them. The young women and men stood at the edge, feigning disinterest or fearing entrapment. Blind Li Xiao swept the head of his staff in a broad arc as he spoke.

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Cast of Wonders 194: Take A Good Look (Staff Pick 2015)

Show Notes

Every year in January, Cast of Wonders takes the month off to recharge our batteries, plan the year ahead, and highlight some of our favourite episodes. As part of joining the Escape Artists family, this year we’re pulling out all the stops. We’re running 10 staff pick episodes over the month, each one hosted by a different member of the Cast of Wonders crew.

We hope you enjoy slush reader Sally Gill’s favorite story from 2015, Take A Good Look by Holly Schofield and narrated by Stephanie Morris. The story originally aired August 16, 2015 as Cast of Wonders 174.


Theme music is “Appeal to Heavens” by Alexye Nov, available at MusicAlley.com.


Take a Good Look

by Holly Schofield

Megan watched with dull eyes as Alan’s tendrils undulated above his head, making odd silhouettes on the garage wall. He grew more excited, his beige skin turned mauve as he finished his breakfast beer.

She rocked her lawn chair slowly back and forth in the early morning sun. She barely heard Alan as he went on and on about his most recent trip, to see the giant Easter egg statue in eastern Alberta, and the other attractions he’d visited since she’d left town last year.

“I took an, erh, hologram of the egg,” he told her gleefully, his voice thick with phlegm. “For my, erh, scrapbook.” His English was good but some things apparently didn’t translate well.

“It’s Dad,” she blurted out. “He’s dying.”

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Artemis Rising 2 Print Available Now


Artemis Rising is the month-long celebration of female and non-binary authors in genre fiction run across three Escape Artists podcasts PodCastle for fantasy, EscapePod for science fiction, and PseudoPod for horror.

This year we have commissioned a special art print by legendary ilustrator Galen Dara. The print will be available for purchase through Society6 until March 31, 2016.

Artemis Rising 2 FINAL
Galen likes monsters, mystics, and dead things. She has created art for Uncanny Magazine, 47North publishing, Skyscape Publishing, Fantasy Flight Games, Tyche Books, Fireside Magazine, Lightspeed, Lackington’s, and Resurrection House. She has been nominated for the Hugo, the World Fantasy Award, and the Chesley Award. When Galen is not working on a project you can find her on the edge of the Sonoran Desert, climbing mountains and hanging out with an assortment of human and animal companions. Her website is www.galendara.com plus you can find her on Facebook and Twitter @galendara.

For Your Consideration


Hello everyone, this is Alasdair, the voice of Escape Artists. This is our 2016 metacast to present the stories we ran in 2015 which are eligible in the upcoming Hugo nomination season.

First, a quick plug four ourselves. All four EA shows – Podcastle, Pseudopod, Escapepod and Cast of Wonders – are themselves eligible in the SEMIPROZINE Hugo category.

Not Fancast. Not Fanzine. Semiprozine.

Yes, the categories are confusing and often overlap. Fancast as a category is traditionally dominated by commentary shows and sketch based audio programs. Take at look at the finalists over the last couple of years. Whereas the Semiprozine category is home to the types of publications we consider our publishing peers.

While there’s an argument to be made we could split the shows and compete in multiple categories to increase our chances, we don’t think benefits anyone. The division would be artificial at best, extremely difficult to explain given all four of our shows have harmonized pay rates and submissions policies, and smack of gamesmanship which doesn’t interest us.

Don’t get us wrong, we LOVED seeing Podcastle and Escapepod on last year’s Hugo long lists, and we’d be honoured for one of our shows to be a finalist. But that’s a decision that rests solely in the hands of you, our fans and supporters.

And just a note, Mothership Zeta doesn’t qualify this year because they’re too new.

Update: all of our editors (Graeme Dunlop and Rachael K. Jones at PodCastle, Shawn Garrett at Pseudopod, Marguerite Kenner at Cast of Wonders and Norm Sherman at EscapePod) are themselves eligible in the Editor, Short Form category.

These show notes contain links to a few different aggregation projects, where fiction fans are building cumulative lists of those eligible in the various categories. They’re great tools, and we’d like to thank David Steffen in particular for his efforts. We’ll also link to our Wikia page, containing links to all the stories mentioned.

And with that, we present the following for your consideration:

Editor, Short Form:

Marguerite Kenner

Cast of Wonders 2015 Short Story first publications:

Aisha Bets Her Life on Magic by Jarod K. Anderson
There Are No Marshmallows in Camelot by Christian McKay Heidicker
Lost Socks by Lisa Montoya
Above Decks by Terry Ibele
Fairy Bones by Guy Stewart
A Troll’s Trade by Sandra M. Odell

2015 reprints:

The Mothgate by J.R. Troughton – originally published by Shimmer
The New Kid Is Not An Alien by Bert Lowe originally published in the July 2015 issue of Spaceports & Spidersilk from Nomadic Delirium Press