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Cast of Wonders 206: Planar Ghosts (Part 2)

Originally published in Writers of the Future (Volume 31)

Podcast: Play in new window | Download (Duration: 40:05 — 36.9MB)

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Planar Ghosts (Part Two)

By Krystal Clayton

Pup sits up as the bolt groans in the wall and the door opens, yellow lamplight pooling in.

Alice moves the door only enough to let herself in. She’s carrying a flashlight that could double as a club and wearing thick socks that make her footsteps a whisper against the concrete floor.

“Hello, Pup.” Even though she’s whispering her voice seems too loud, too real.

Pup glances at the door without meaning to. She didn’t bolt it again. How far could he get before someone noticed?

“If I thought we could sneak out, I’d try. Nass has you locked down. That’s why it took me this long to sneak in.”

Pup angles away from her, crosses his arms over his chest.

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Closing to Submissions April 15th

Hi everyone, your editor here. Thanks to the HUGE influx of stories we’ve received over the last three months we’ll be closing to submissions on April 15th. In the meantime, polish up your ideas for our Banned Book Week call, dates for which we’ll be announcing soon.

As always, thanks for listening!

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Cast of Wonders 205: Planar Ghosts (Part 1)

Originally published in Writers of the Future (Volume 31)

Podcast: Play in new window | Download (Duration: 36:59 — 34.1MB)

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Planar Ghosts

by Krystal Claxton

The walls around the town of Bootstrap are mostly old cars stacked one on top of the other and welded together. Outside Bootstrap, market stalls made from patchwork tarps and rusty pipes lean on either side of the wide gate. They are temporary places for the people who live inside to trade goods with the people stuck outside who need in.

People like Pup.

He looks up at the guard by the gate, who is thicker, but not much older. Probably grew up inside the walls. He looks as if he’s been well-fed, even during bad years. His skin is sun-reddened and spotted along his cheeks and the high bridge of his nose.

Pup offers his frayed duffle bag to the guard. The man kneels to comb through it with one meaty hand. Inside is Pup’s winter scavenge–a length of rope, a glass vial with lighter fluid, and three almost-full rolls of duct tape.

If this is enough to buy Pup in, he can work for water until summer is over. As the guard measures Pup’s worth, the one good pocket of his cargo pants seems heavier. Inside is something he’s not supposed to trade. He’s not sure what it is. Some Before thing. Probably the guard wouldn’t know what it is either.

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Cast of Wonders 204: Twenty-One

Originally published in Afterburn SF (September 2007)

Content Warning: This week’s story involves more profanity than usual. Parents listening with younger children may want to join us again next week.

Podcast: Play in new window | Download (Duration: 23:14 — 21.4MB)

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Show Notes

Happy birthday, Podcastle! Our fantasy sister show is celebrating it’s 8th anniversary. Pop on over and join the party with Graeme Dunlop, Rachael K. Jones and the rest of the castle’s inhabitants.

Supernatural Radio and Tempting Secrets by A Kevin MacLeod are licensed under a Creative Commons: By Attribution 3.0 License

Twenty-One

by Michael Merriam

Wednesday, January 6th, 2009, dawned bright and clear for the twenty-first time.

“Are we ready?” Aaron Burnett asked the group surrounding him, all of them cold and shivering in the pre-dawn light.

“Yeah, yeah. We can do this,” Thomas Pinchly said. The short, thin teenager chewed nervously on a plastic straw.

Aaron’s older sister, Sharon, gave him a reassuring smile. “We don’t really have a choice, do we?” The smile on her plump face widened. “And if we screw it up—”

“We start over at December 23rd and take another crack at it,” Sharon’s friend Teri finished.

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Cast of Wonders 203: The Universe Dress

Cast of Wonders 203: The Universe Dress is a Cast of Wonders original.

Podcast: Play in new window | Download (Duration: 19:54 — 18.4MB)

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The Universe Dress

by Laura-Marie Steele

I’ve never been the biggest fan of weddings. Some women plan weddings from childhood. They draw pictures of the dress they’d like to wear and collect magazine cuttings of flowers or venues, but not me. I’d never even thought about it before. I’d always seen myself as the adventurous type, trekking off alone across the world. Maybe that was why I felt strange, staring at myself in the mirror, on the day of my own wedding.

“You look beautiful.” Mum wiped her eyes with the corner of her bathrobe.

“The lips,” Aunt Julia said, with a twist of her own, “can’t we make them a bit darker?”

My two cousins, Emily and Amelia, began to rummage in the suitcase of cosmetics they’d brought with them. They’d already attacked me with all sorts of colours and turned me into a doll with pink-spotted cheeks.

Aunt Julia took charge of the curling tongs, scooping and pulling up my hair. Lipsticks were passed around, tiaras were polished, hairbrushes were located, dress fit was discussed. Everyone struggled to get ready in the small space that had been my bedroom for the past nineteen years, and I sat in the middle, calm and silent, like the eye of the storm.

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Cast of Wonders 202: Henkie’s Fiddle

Originally published in Potter’s Field 4

Podcast: Play in new window | Download (Duration: 24:27 — 22.5MB)

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Henkie’s Fiddle

by Vonnie Winslow Crist

Stirred by a bone-chilling wind, the lone tree in the unsanctified section of the cemetery rattled its bare branches. Duffy had the eerie feeling that Witchman’s Oak sensed what was to happen today. He chewed on the hard skin left by a burst blister on his right thumb and studied the tree.

By order of the Edgewater town council and with the mayor’s approval, Duffy was to remove Witchman’s Oak before Christmas despite local lore proclaiming the tree haunted. Personally, he thought it was a terrible mistake to cut down the oak if for no other reason than the shade it provided in the summer. Rousted by another cold gust, the huge iron bell hanging from a rusted hook embedded in the tree’s trunk clanked its agreement.

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Wonder Tales – Not Just Fairies

Hi everyone, your editor Marguerite here.

This weekend has been the International Conference on the Fantastic in the Arts. I’ve been following along as various members of my Twitter stream were in attendance.

One of the presentations that caught my attention was the history of the term ‘Fairy Tale’ and its use as an umbrella term for wonder and the supernatural in fiction. Neither concept is unique to Western Europe and the speaker, Cristina Bacchilega, posits that a shift away from using the label generically might help linguistically decolonize non-European based narratives.

I support this idea wholeheartedly: a small linguistic shift in support of greater diversity. In an effort to put Cristina’s theory to the test I’ve revised our submission guidelines to explain our use of this distinction. The relevant section is set out below.

Special thanks to Julia Rios for her livetweeting of Bacchilega’s presentation, and Julia for answering my follow-up questions.

Fairy Tales? Wondertales? Huh?

We use the word “wondertales” as the generic description of speculative fiction stories based on classic and/or historical cultural narratives. Synomyms include fairy tales, folklore and mythology – all academic terms with their own meanings, origins, distinctions and historical connotations.

This is to help distinguish wondertales as a whole from the subset of stories based on Western European ancestry, which we assign the label “fairy tales”. Good examples include Hans Christian Andersen stories, or older Disney movies.

Fairy tales are popular as a genre of young adult fiction to the point where they cross the line into tropes. We receive a lot of them. Unless a story succinctly retells one of these narratives in a new and unique way, we generally decline. A good example of one we liked was “Piper” by Ian Rose – a flash piece retelling ‘The Pied Piper’ from one of the rat’s point of view.

Wondertales, on the the other hand, are under-represented in short fiction and we’d love to receive more of them. For an example of one we liked check out “The Dun Horse” by Edward Ahern – the retelling of a Pawnee legend.

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Cast of Wonders 201: Miss Darcy’s First Intergalactic Ballet Class

Originally published in Galaxy’s Edge (July/August 2015)

Podcast: Play in new window | Download (Duration: 36:50 — 33.9MB)

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Miss Darcy’s First Intergalactic Ballet Class

by Dantzel Cherry

Darcy walked up to the gilded starship door and it dissolved, revealing what had to be the gaudiest room in the galaxy. Gold, silver, bronze, and minerals that probably didn’t even exist on Earth covered the high ceiling and walls in panels, interlaced throughout with precious stones – and was that tinsel? – depicting who-knows-what. The effect was much like a wild animal had eaten all the jewelry at Tiffany’s and then vomited all over the walls.

Clearly the ability to travel through all the worlds in the galaxy and kidnap a fifty-two year old ballet teacher didn’t grant good taste in interior design.

The blue blob Overlord guard accompanying her spoke, its voice wobbling with each syllable, and Darcy jumped as a split second later her newly installed gray earslugs wriggled and translated:

“Behold, your students.”

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Cast of Wonders 200: Running on Two Legs

Originally published in The 3rd Alternative, Issue #40 (2004)

Podcast: Play in new window | Download (Duration: 1:05:31 — 60.2MB)

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Running on Two Legs

by Eugie Foster

My mother used to tell stories of how I talked to animals when I was a little girl. And then she’d laugh when she described how indignant I got because no one believed they talked back.

I don’t remember much of that period of my life. There were a lot of hospitals—white rooms, other pale children next to me, all of us with clear IV tubes taped to our parchment paper skin—and doctors, smiling men with haunted eyes that they tried so hard to keep us from seeing. That’s mostly what I remember.

And then came the miraculous words “in remission.”  I remember those, and the tears on my mother’s face when the doctor said them, for once without the not-quite-hidden anguish in his eyes. Everything was better after that. After those words I remember summer days spent grubby and exhausted in the old abandoned shack behind our house. No longer did I keep company with hospital wraiths, but rather with neighborhood kids who had experienced no greater hurt than a scraped knee or a bruised shin; kids who’d never had to listen to their parents sob just outside their door, thinking you couldn’t hear them; and kids who had no memory of being so sick that even the feel of a blanket was unbearable agony.

I think I stopped talking to animals then. Or maybe I just had better things to do than listen to the birds chattering at my window or the squirrels quarrelling in the tree outside.

But I heard them again today.

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Cast of Wonders 199: Leapling

Cast of Wonders 199: Leapling is a Cast of Wonders original.

Podcast: Play in new window | Download (Duration: 1:00:49 — 55.9MB)

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Show Notes

Theme music is “Appeal to Heavens” by Alexye Nov, available at MusicAlley.com.

Leapling

by Nicole Feldringer

My brother, Jack, parks his beater at the beach lot. Beyond the windshield, dune grass blocks my view of the Gulf, and I shift in my seat. My thighs and shoulders are slick with sweat against the cracked vinyl. Jack turns off the car and sets the e-brake.

“You going to go to this thing or not?” His voice is gentle. If I asked, he would turn the car around and take me home. No, not home. To our new house, still scattered with unopened boxes on account of Mom’s insane hours at the Department of Transportation.

“I’m going.” I feel like I am standing on the verge of a back dive, a clear blue pool beneath me. The board, rough against my toes as I test the weight in my heels. “Any tips?”

“Be yourself?”

“Ha.” 

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Cast of Wonders 198: The Authorized Biography (Part 2)

Cast of Wonders 198: The Authorized Biography (Part 2) is a Cast of Wonders original.

Podcast: Play in new window | Download (Duration: 25:51 — 23.9MB)

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Show Notes

Show Notes

This week we present the conclusion of The Authorized Biography by Michael G. Ryan, narrated by Brian Rollins.

Theme music is “Appeal to Heavens” by Alexye Nov, available at MusicAlley.com.

 

The Authorized Biography (Part 2)

By Michael G. Ryan

“My mom,” Betsy had written, “met Eugene Versace—no relation, it turns out—when she took our old dog Gator in to be put to sleep. Dad didn’t go that day. I was still in the hospital recovering from surgery, and at the age of four Jasper certainly could not have understood why our sixteen-year-old dog could not go on forever. So, Dad stayed with him at the house and kissed Gator goodbye in the driveway. So, Mom was alone with her grief when she met the veterinarian who would comfort her and then break up my parents’ marriage.”

“Fuck!” Toonby shouted, slamming the book closed. His eyes watered.

“Gator?” he called in a gentle voice. “Come here, boy.”

He could hear the golden retriever’s toenails on the hardwood floor in the hallway, and for the first time he imagined he could hear old age and world-weariness in that familiar sound. Gator poked his head around the corner, tongue wagging tiredly, and came to Toonby, pushing his head into Toonby’s open palm. Then he lay down at his feet as if the moment of affection were all he could endure. Toonby reached down, and the dog raised his head slowly into the touch. They stayed that way for some time.

“With a name like Eugene, he shouldn’t even be able to talk to a woman,” Toonby finally said, “let alone steal mine. For crying out loud, the man has his hands up cats’ asses all day long.”

Gator lowered his head again as if embarrassed at the thought.
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Cast of Wonders 197: The Authorized Biography (Part 1)

Cast of Wonders 197: The Authorized Biography (Part 1) is a Cast of Wonders original.

Podcast: Play in new window | Download (Duration: 28:40 — 26.5MB)

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Show Notes

Galen Dara’s amazing print for Artemis Rising is available on Society6.

Theme music is “Appeal to Heavens” by Alexye Nov, available at MusicAlley.com.

The Authorized Biography

by Michael G. Ryan

In the beginning, Tim Toonby was bewildered to find his biography. Bewildered and ultimately alarmed.

It appeared Saturday morning on his front porch in an unadorned metal box, the fireproof kind meant for legal documents. No key. Tim Toonby had just stepped outside to leave the full diaper pail liner for the service, and in the age of letter bombs, he hesitated when he saw the box on the steps. He looked around as if the deliverer would still be nearby, waiting for the detonation, but the neighborhood was typically quiet—prefabricated homes with lawns of sod, flower boxes along porch railings, stone lions at the end of driveways as affectations of the neighbors’ aspirations. Toonby had them, too. It was a street for dreamers, not killers.

When he picked up the box, the lid wasn’t latched—it fell open, and he was suddenly looking down at his own face on the cover of a book inside. His own face, thirty years older, hair gone to gray, the crow’s feet at his eyes deep and sad. The black-and-white photo looked posed in a cheap hotel room where the nightstand’s drawer was pulled open enough to reveal a book, a Gideon’s Bible. But when Tim Toonby squinted at the picture, he could see that wasn’t right. He could just make out the text on the cover: Barnabas’s Bible by Timothy Toonby.

This was the book he had started writing six months ago. His first book, his hope for the great American novel, his dream of fame and fortune. The one his agent said would make him a household name.

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