Posts Tagged ‘Jamieson Ridenhour’

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Cast of Wonders 152: Staff Pick 2014 – Captain Cleveland Grackle’s Galactic Cabaret vs. The Goblins of Vishnu 6 by Jamieson Ridenhour

Show Notes

Every year in January Cast of Wonders takes a break to catch our breath, plan out the year ahead, and highlight some of our favourite episodes from the year just passed.

We hope you enjoy Barry’s favorite story from 2014, Captain Cleveland Grackle’s Galactic Cabaret vs. The Goblins of Vishnu 6 by Jamieson Ridenhour, which originally aired November 17, 2013 as Episode 104.


Captain Cleveland Grackle’s Galactic Cabaret vs.
The Goblins of Vishnu 6

By Jamieson Ridenhour

Load-in is always a bitch on a gas giant gig, but the moisture off the methane sea on Vamana really played havoc with my drum heads. The city, Upendra, was a big, domed thing with old-school terra-forming and flora-powered atmos that amounted to a human-made jungle in the midst of the rocky moon. We were playing the Municipal Amphitheatre, a screamingly Corporate name that was typically boring and grandiose all at once. That we got booked at all is probably due more to the backwater status of Vishnu 6’s fifth moon than any real thought about whether we’d be a good fit—we were a hell of a lot cheaper than the big CorpMuses who played closer to Earth.

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Genres:

Cast of Wonders 104: Captain Cleveland Grackle’s Galactic Cabaret vs. The Goblins of Vishnu 6

Show Notes

As you’ll hear in the outro, Jamieson’s inspiration for this story is the episode art for this week, a fair-haired young girl piloting a large mechanical fish. This arresting image was created by the exceptional artist Jasmine Becket-Griffith. You can find her work online here. Please go check it out! It’s well worth your time, and she has our thanks for allowing us to use the piece as this week’s episode art.


Captain Cleveland Grackle’s Galactic Cabaret vs. The Goblins of Vishnu 6

By Jamieson Ridenhour

Load-in is always a bitch on a gas giant gig, but the moisture off the methane sea on Vamana really played havoc with my drum heads. The city, Upendra, was a big, domed thing with old-school terra-forming and flora-powered atmos that amounted to a human-made jungle in the midst of the rocky moon. We were playing the Municipal Amphitheatre, a screamingly Corporate name that was typically boring and grandiose all at once. That we got booked at all is probably due more to the backwater status of Vishnu 6’s fifth moon than any real thought about whether we’d be a good fit—we were a hell of a lot cheaper than the big CorpMuses who played closer to Earth.

Not that any of this mattered, mind you. A gig’s a gig, and this one was if anything a little bigger than we usually pulled. I’m just saying that for the all the “professionalism” of the local staff and the “modern ease” with which the intra-dome transfer was supposed to run, we might as well have been playing a dive bar in the Pleiades. But we did get the equipment set up, ‘cause you always do, and we did get what could technically be called a sound-check before we were hustled off the stage so the other two bands on the roster could do the same.

I’m telling the story like I’m a veteran, but truth be told that gig was only my third or fourth with Cleveland Grackle’s Galactic Cabaret, even though the Neverending Tour was a full decade old by that point. This is right after they started using the mechanical fish during “Nearer to Land,” the one Kimmy would pilot out of the wings on invisible filaments when Peter began his guitar solo.
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