Posts Tagged ‘Banned Books Week 2024’

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Cast of Wonders 627: The Restaurant of Object Permanence (Staff Picks 2024)


The Restaurant of Object Permanence

by Beth Goder

Kazia files a folder of correspondence and closes the manuscript box. She leaves the archives as the sun is setting. Her head is filled with the collection she is processing, the papers of Elgar T. Bryce, noted American biologist. For eleven years, she has worked as an archivist, arranging and describing the papers of scientists, economists, and professors. She loves the quiet of the archives, the way folders line up in a processed box, tangible history in her hands.

Outside the archives, there’s a strange flyer on the bulletin board. The first thing she notices is the paper, a small blue square, probably acidic, attached to the board by the thin metal line of a staple not yet turned to rust. It’s an invitation to the Restaurant of Object Permanence. To go, one is instructed to eat the flyer.

She pulls the paper from the board and swallows it in one bite. (Continue Reading…)

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Cast of Wonders 624: My Mother’s Voice and the Shadow (Staff Picks 2024)


My Mother’s Voice and the Shadow

by A. W. Prihandita

I pressed my palm onto my chest and said, “Marie.”

I pointed at my mother, took a deep breath and braved her abyssal eyes, asking, “And you? What is your name, Mother?”

I shouldn’t have been in her room, but my father was away, and I was a curious child. I stood in quiet trepidation and waited to know her.

She towered over me, shadow-like in the dark, but by a sliver of moonlight I could see the empty, crooked smile on her lips. It made me shiver—it always did. It looked like the painted simper of a porcelain doll, with eyes too wide and skin too white—except my mother’s skin was dark and wrinkly like shrunken leather. Her pitch-black eyes were an echoing emptiness, a starless midnight sky to fall into, with no thoughts to catch you, only darkness.

My mother was mute and feeble-minded—or so my father said. I would’ve believed him until the end of my days, had the shadow not shown me otherwise. (Continue Reading…)

Image by Gerd Altmann from Pixabay. Graffiti of a boy, screaming, in a Banksy-esque style

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Cast of Wonders 606: My Mother’s Voice and the Shadow


My Mother’s Voice and the Shadow

by A. W. Prihandita

I pressed my palm onto my chest and said, “Marie.”

I pointed at my mother, took a deep breath and braved her abyssal eyes, asking, “And you? What is your name, Mother?”

I shouldn’t have been in her room, but my father was away, and I was a curious child. I stood in quiet trepidation and waited to know her.

She towered over me, shadow-like in the dark, but by a sliver of moonlight I could see the empty, crooked smile on her lips. It made me shiver—it always did. It looked like the painted simper of a porcelain doll, with eyes too wide and skin too white—except my mother’s skin was dark and wrinkly like shrunken leather. Her pitch-black eyes were an echoing emptiness, a starless midnight sky to fall into, with no thoughts to catch you, only darkness.

My mother was mute and feeble-minded—or so my father said. I would’ve believed him until the end of my days, had the shadow not shown me otherwise. (Continue Reading…)

Image by Gerd Altmann from Pixabay. Graffiti of a boy, screaming, in a Banksy-esque style

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Cast of Wonders 605: The Projectionists


The Projectionists

by E. M. Linden

Nobody talks about what happened in Hasan’s city, so he looks for clues. His memories are jumbled up and broken. Boots thudding. Shards of glass. Shoulders and fists slamming on the thin wooden door of his flat. He remembers one night some men forced their way in. The latch is still broken. But Hasan’s father says no. That was only because Hasan locked himself in once and the neighbors had to rescue him. It’s a funny story, not a scary one. And his mother is with relatives. Hasan doesn’t need to worry. (Continue Reading…)

Image by Gerd Altmann from Pixabay. Graffiti of a boy, screaming, in a Banksy-esque style

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Cast of Wonders 604: The Restaurant of Object Permanence


The Restaurant of Object Permanence

by Beth Goder

Kazia files a folder of correspondence and closes the manuscript box. She leaves the archives as the sun is setting. Her head is filled with the collection she is processing, the papers of Elgar T. Bryce, noted American biologist. For eleven years, she has worked as an archivist, arranging and describing the papers of scientists, economists, and professors. She loves the quiet of the archives, the way folders line up in a processed box, tangible history in her hands.

Outside the archives, there’s a strange flyer on the bulletin board. The first thing she notices is the paper, a small blue square, probably acidic, attached to the board by the thin metal line of a staple not yet turned to rust. It’s an invitation to the Restaurant of Object Permanence. To go, one is instructed to eat the flyer.

She pulls the paper from the board and swallows it in one bite. (Continue Reading…)

Image by Gerd Altmann from Pixabay. Graffiti of a boy, screaming, in a Banksy-esque style

Announcing our call for submissions for Banned Books Week 2024!


Every year in September, Cast of Wonders celebrates Banned Books Week, an annual international event celebrating the freedom to read and raising awareness of the immense social value of free and open access to information.

Unwanted, Unheard: Challenging the Silence

In the last year, we’ve seen countless attempts to silence the voices of others. Tennessee’s “drag ban“, the sacking of university staff associated with Diversity, Equality and Inclusion activities in Florida, and the disinvitation of queer erotica author Chuck Tingle from the Texas Library Association literary conference are just a few examples that speak to a concerted political effort to close down and undermine inclusive voices. In the SF world, we have our own examples of appalling behaviour: YA author and 2022 Astounding Award finalist Xiran Jay Zhao was ruled ‘ineligible’ for the 2023 award on specious political grounds, and a number of other authors (esp. those published in China) saw their works discounted from the longlisted nominations for no clear reason.  The casual manner in which the privileged perpetuate discrimination is something that many of us need to be on guard against in our own actions.  Sadly, this year has also seen far worse atrocities perpetuated against the innocent in the ongoing conflicts around the world, particularly in Gaza, and the silence of the West presents deep questions of culpability here. Isabel J. Kim’s Why Don’t We Just Kill the Kid in the Omelas Hole is a powerful call to action, and very much sets the stage for Cast of Wonders’ call for 2024 Banned Books submissions.

For Banned Books Week 2024, we want to see stories that challenge collective silence, that show the risks and consequences of inattention and inaction. We want the voices of the silenced and unwanted to be centered, in stories that demand to be heard.

At Cast of Wonders, we welcome stories that portray the full spectrum of human experience. We don’t challenge stories; we want stories to challenge us! Cast of Wonders looks for stories that evoke a sense of wonder, have deep emotional resonance, and have something unreal about them. We aim for a 12-17 age range: that means sophisticated, non-condescending stories with wide appeal, and without gratuitous or explicit sex, violence, or pervasive obscene language.

Preference for this submission window is under 5,000 words with an absolute limit of 6,000 words. Flash submissions under 1.5k are also very welcome!

Submissions must adhere to Cast of Wonders guidelines, and our standard rates apply (8c/word for original fiction, $20/$100 for reprints depending on length).  Submissions will be accepted from April 15-30 through our Moksha Portal – we can’t wait to read what you send in!